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Video Program:
Side One:
2. Opening Montage
4. (from - 1929)
7. (from - 1935)
9-47. (feature film)
Side Two:
1-35. (continued)
36. (deleted musical sequence)
37. (deleted musical sequence)
38. (reprise) (deleted musical sequence)
Side Three:
1. (from )
3. (from Will Rogers Memorial ca. 1940)
5. Excerpt from (1941 M-G-M )
6. ("Command Performance, U.S.A.," Circa 1942)
10-41. (feature film)
Side Four:
1-33. (continued)
35. (deleted musical sequence from , 1949)
Side Five:
1-27. (feature film)
Side Six:
1-38. (continued)
Side Seven:
Theatrical trailers
1. (1937)
3. (1937)
5. (1938)
7. (1938)
9. (1938)
11. (1939) (Adapted for Reissue, 1949)
12. (Alternate Reissue Trailer, 1949)
13. (1939)
15. (1941)
18. (1940)
20. (1940)
21. (1941)
23. (1941)
25. (1941)
27. (1942)
29. (1943)
30. (1943)
31. (1943)
33. (1944) (Reissue Trailer, Circa 1951)
34. (1946)
36. (1945)
38. (1946)
Side Eight:
Theatrical Trailers (continued)
1. (1946)
3. (1948)
5. (1948) (Reissue Trailer, 1955)
6. (1948)
9. (Teaser Trailer, 1948)
11. (1949)
13. (1950)
15. (United Artists; 1961)
16. (United Artists; 1963)
17. (United Artists; 1963)
Still Gallery
18. Judy - From Gumm to Garland
19. Musical Numbers and Routines Deleted from Judy's M-G-M Films
20. - Production and Publicity stills
21. - Production and Publicity stills
22. - Production and Publicity stills
Side Nine:
1. (Original Theatrical Trailer: The Loney Stage, 1963)
3. (short subject, 1936)
6. (short subject, 1930)
9. // (from , 1939)
13. (from , 1943)
"The Judy Garland Stereo Scrapbook"
14. / (from , 1942)
15. // (from , 1943)
16. (from , 1946)
17. (from , 1948)
18. (from , 1941)
19. (from , 1946)
Audio Program:
Side One:
A First National (Vitaphone) Short, 1929; Burbank, California
1. Holiday in Storyland (title tune, Jerome/Berg)
3. (Jerome/Berg)
- The Gumm Sisters billed as "The Three Kute Kiddies"
5. - Baby (Frances Ethel) Gumm
A First National (Vitaphone) Short, 1929; Burbank, California
6. (Green/Stept) - Baby Gumm
[All subsequent tracks on Sides One through Eight feature Judy Garland (and/or additional artists as noted) and were recorded at Metro-Goldwyn-Mayer Studios, Culver City, California.]
, 1937
8. (Freed/Brown) - with Chorus; recorded March 14, 1937 (take 7)
11. (take 8)
14. (Freed/Brown) - with The St. Brendan's Boys Choir and Eloise Rawitzer; recrorded April 16, 1937 (take 9)
15. (take 11)
17. part 1 (Freed/Brown); recorded March 5, 1937 (take 6)
19. part 1 (take 7)
21. part 1 (take 8)
23. Part 2, with Sophie Tucker, Barnett Parker, J.D.
Jewkes and Chorus March 5, 1937 (take 4)
26. Part 2 (take 6)
29. (Edens/McCarthy/Monaco);
May 7, 1937
31. (Tag Only, Take 1)
32. (Tag Only, Take 2)
(1937)
33. (Freed/Brown); recorded September 20, 1937 (Complete Version)
35. (Short Version; Take 6)
38. Thoroughbreds Don't Cry - Main title music; recorded October 24, 1937 (Take 1)
39. (Finale Version) - with Mickey Rooney and Ronald Sinclair; recorded October 24, 1937
41. (Finale Version; Alternate Take)
(1938)
42. (Kaper/Jurmann/Kahn) - with the St. Brandan's Boys Choir; recorded August 26, 1937 (Complete Version; ironically, the Boys Choir was here dubbing for a chorus in an all-girl school)
45. Part 1; recorded August 26, 1937 (Alternate Take)
46. (Kaper/Jurmann/Kahn); recorded October 4, 1937 (Complete Version)
Side Two:
1. Part 1; recorded October 4, 1937 (Alternate Take)
3. Part 2; (Takes 4-6)
5. Part 4; (Takes 2 & 3)
7. Part 3 & 4; (Take 2)
(1938)
8. (Edens); recorded June 24, 1938
10. (Gordon/Revel); recorded June 24, 1938
(1940)
12. (Freed/Brown) - recorded May 10, 1940
14. (Arlen/Harburg) - Only Part 1 of the song
survives; recorded March 14, 1940
16. (Freed/Brown) - recorded May 10, 1940
19. (Reprise)
20. (Davis/Ager/Santly); recorded March 14, 1940
(1940)
22. (Piantadosi) - deleted from the
show-within-a-show, "Gay 90s" parody, Nell of New Rochelle; recorded April 23, 1940
(1940)
23. (F.E. Weatherly) (Take 6); recorded September 10, 1940
25. (Take 7)
27. (Adaptation by Edens); Part 1 recorded September 10, 1940; Part 2 recorded September 9, 1940
28. (Freed/Brown); [Vocal Channel Only] recorded September 9, 1940
(1941)
31. (McCarthy/Carroll) (Comedy Version; Take 3); recorded November 13, 1940
32. (Comedy Version, Take 4)
33. (Ballad Version, Take 4); recorded November 13, 1940
34. (Ballad Version, Takes 5 & 6)
37. (Ballad Version, Take 7)
38. (Brown/Kahn)/Special Material (Edens)/You Stepped Out of a Dream (Brown/Kahn) (Original Finale) - with Tony Martin, Six Hits and a Miss, and Chorus; recorded December 22, 1940
41. Special material (Edens)/ (Deleted
Finale Reprise) - with Tony Martin; recorded December 22, 1940
Side Three:
1. (Deleted Finale Reprise)
2. (Deleted Finale Reprise, Take 3)
4. (Deleted Finale Reprise, Take 4)
5. (Deleted Finale Reprise, Take 5)
7. (Deleted Finale Reprise, Take 6)
(1941)
8. (Smith/Carey) - with Chorus; recorded May 19, 1941
9. (Porter); recorded June 4 and 25, 1941
12. (Alternate Take)
13. (Lyte/Monk); recorded June 4, 1941
15. (Rogers/Nevin); recorded June 4, 1941 & July 23, 1941
(1942)
16. (Meyer/Leslie/Goetz) - with Gene Kelly; recorded March 21, 1942
19. (2 Tags)
20. The Doll Shop/Oh You Beautiful Doll - with Lucille Norman, George Murphy and Chorus; recorded March 20, 1942
22. The Doll Shop Part 2
23. (Verges) ("The Doll Shop")
25. ("The Doll Shop")
26. The Doll Shop (Tag)
28. (Carroll/Atteridge) - with George Murphy, Ben Blue and Chorus; recorded March 20, 1942
29. (Mahoney/Weinrich) - with Gene Kelly; recorded May 26, 1942
30. (Creamer/Layton); recorded March 24, 1942
32. Till We Meet Again (Whiting/Egan/Donaldson) - with Lucille Norman, The King's Men and Chorus; recorded March 27, 1942
33. (Burris/Smith) - with Gene Kelly; recorded March 21, 1942
36. (Lewis/Young/Donaldson) - with Chorus; recorded March 27, 1942
37. (Johnson/Wenrich) - with The King's Men and Chorus; recorded March 27, 1942
38. : (Judge/Williams) / Goodbye, Broadway! Hello, France! (Baskette/Reisner/Davis) - Chorus / (Roberts/Callahan) / Oh Frenchy (Conrad) - Gene Kelly and Ben Blue / (Powell/Asaf); recorded May 26, 1942 [Note: The medley of songs planned for the camp tour sequences of For Me and My Gal underwent several revisions, as evidenced by the complete version of "Smiles" and the deleted "Three Cheers for the Yanks".]
39. recorded June 25, 1942
40. (Morgan/Hoier) - with Abe Dinovitch and Maude Erickson; recorded May 26, 1942
42. (Martin/Blane) - with Six Hits and a Miss and Chorus; recorded May 27, 1942
Side Four:
1. (Orchestra Cover Track)
2. (Deleted Finale) - with George Murphy, Gene Kelly and Chorus; recorded March 27, 1942
4. (Deleted Finale; Tag)
5. Part 1 (Finale) (Lambert/Edens) - with Chorus; recorded June 25, 1942
7. Part 2 (Revised Finale) - with Gene Kelly and Chorus; recorded June 25, 1942
(1943)
8. (Lane/Harburg); recorded July 28, 1942
10. (Harbach/Hoschna) - with Mary Kent (Dubbing for Connie Gilchrist); recorded July 28, 1942
12. (Jurmann/Webster) - with Bob Crosby and his
Orchestra; recorded September 18, 1942
14. ) (comedy version) - with Bob Crosby and his Orchestra; recorded September 18, 1942
16. Presenting Lily Mars (Edens) - Chorus / (Brown/Harburg/Fain) - with Chorus (Original Finale); recorded October 16, 1942
19. (Edens) (Finale; Part 1) - with Chorus; recorded March 5, 1943
21. (Finale; Part 2) - with Chorus
23. (Finale; Part 3) - with Chorus
24. (Finale; Part 4) - with Chorus
25. (Finale; Part 5) - with Chorus
26. (Finale; Part 6, ) - with Chorus
28. (Finale; Pick-Up) - with Tommy Dorsey & His Orchestra
29. - with Chorus / (Handy) - with Judy Carol and Chorus / (Judge/Williams) - with Chorus / (Van Alstyne/Williams) / Don't Sit Under the Apple Tree (Brown/Stept/Tobias) / (Terris/Robeldo) - with Chorus / (Freed/Brown) - with Ralph Blane, Six Hits and a Miss, Tommy Dorsey & His Orchestra and Chorus (Finale; Complete Edited Version); all recorded March 5, 1943 except for "Broadway Rhythm" which was recorded March 4, 1943
The following are the surviving original prerecordings for the three
feature films included in Judy Garland: The Golden Years at MGM:
(1946)
Except where otherwise noted, songs by Johnny Mercer and Harry Warren.
34. - with Virginia O'Brien and Marion Doenges (Dubbing for Cyd Charisse); recorded January 5, 1945
36. (Pick-Up)
Side 5:
1. Pt. 1 (Take 4); recorded January 8, 1945
3. Pt. 1 (Take 5)
5. Pt. 2
7. Pt. 3
9. (Complete Version; additional lyrics by Kay Thompson and Ralph Blane) - with Ben Carter, Marjorie Main, Virginia O'Brien, Ray Bolger, The Williams Brothers (Andy, Bob and Don), Alice Ludes, Dorothy McCarty, Lee Gotch, Jud Conlon, Ralph Blane, Loulie Jean Norman, Dorothy Jackson, Judy Matson, Mary Moder, Ruth Clark, Jimmie Garland, Dorothy Wilkerson, Vivian Edwards, Joe Karnes, Kenneth Rundquist, Claude Martin, Arnet Amos and Chorus
12. Training Montage [The Train Must Be Fed] (Salinger/Edens/Warren) - with Edward Earle, Selena Royle, Marjorie Main, Joe Karnes, Elva Kellogg and The Harvey Girls; (Garland was working elsewhere and her solo lines for the number were dubbed in later); recorded January 13, 1945
13. Training Montage (Alternate Take)
15. The Wild, Wild, West (With Piano) - Virginia O'Brien; (O'Brien was pregnant during the shooting of the film; her numbers hurriedly completed - thus this solo sans orchestra); recorded January 29, 1945
16. The Wild, Wild West (Synch with Orchestra Track)
18. Ray Bolger Dance Sequence (On the Atchison, Topeka and the Santa Fe) - Orchestra; recorded February 15, 1945
19. Ray Bolger Dance Sequence (Take 2)
20. Oh, You Kid - Virginia Reece (Dubbing for Angela Lansbury); recorded February 15, 1945
22. Wait and See - Kenny Baker; recorded February 15, 1945 (Incomplete)
24. Wait and See - Kenny Baker and Marion Doenges (Dubbing for Cyd Charisse); recorded February 16, 1945
28. - with John Hodiak; recorded February 17, 1945
29. - recorded February 16, 1945
30. (Choral Reprise) - with Kenny Baker and Chorus; recorded February 17, 1945
Side Six:
1. - with Joe Karnes, Frank Laine, Don Ellis, Eugene Dorian, Ralph Blane, Don Williams and Chorus; recorded February 17, 1945
2. (Reprise) - with Chorus
3. - with Ray Bolger and Chorus; recorded February 19, 1945
6. (Pick-Up)
7. Pts. 1 & 2 - with Marjorie Main, The Harvey Girls and Chorus; recorded February 19, 1945
10. Pt. 3
11. (Complete)
15. (Reprise) - Rehearsal recording with Judy Garland and Kay Thompson; Roger Edens on piano
(1948)
Songs by Cole Porter.
17. (1st Deleted Version) - with Chorus; (Portions of this recording exist only in the form of playback discs, thus the varying sound quality.); recorded December 28, 1946
20. (2nd Deleted Version)
22. (1st Deleted Version Tag)
24. (2nd Deleted Version Tag) - with Roger Edens on piano
26. (Deleted Version); recorded December 27, 1946
29. Niña (Demo Recording) - sung and played by Roger Edens
31. (Demo Recording) - Roger Edens
33. Manuela (Demo Recording) - Roger Edens; song deleted from shooting script and never used
34. (Demo Recording) - Roger Edens
36. (Demo Recording) - Roger Edens
Side Seven:
1. Papayas - Lillian Bremond (Market Place Sequence) / Serafin's March - Roger Edens and Lennie Hayton at the twin pianos; recorded March 18, 1947
2. Niña (Take 9) - Gene Kelly; recorded March 19, 1947
4. Niña (Take 3) recorded March 18, 1947
6. (Take 1) - vocal chorus only; recorded April 10, 1947
8. (Take 3; Short Version)
10. (Complete Version)
14. - recorded May 13, 1947
16. - Gene Kelly and The Nicholas Brothers; recorded July 7, 1947
17. (Finale) - with Gene Kelly; recorded July 14, 1947
19. Pt. 1 (Final Version) - with Chorus; recorded December 15, 1947
22. (Final Version Tag)
24. (Final Version, Edited)
(1950)
Except where otherwise noted, songs by Harry Warren and Mack Gordon.
26. ; recorded October 13, 1949
28. - with Chorus; Recorded October 13, 1949
30. Dig-Dig-Dig for Your Dinner - Gene Kelly, Phil Silvers and Chorus; recorded November 4, 1949
32. Mem'ry Island - Pete Roberts and Gloria DeHaven (Dubbing for Hans Conried) and Chorus; recorded November 17, 1949
35. The Portland Fancy - Orchestra; recorded November 5, 1949
37. The Portland Fancy (Tag)
39. The Portland Fancy (Tag; Take 2)
40. Fall in Love - Gloria DeHaven and Phil Silvers; recorded November 15, 1949
Side Eight:
1. (Warren/Brooks/Chaplin) - with Gene Kelly; recorded February 3, 1950
2. ; recorded November 27, 1949
4. (Newspaper Dance) - Orchestra; recorded March 31, 1950
7. (Chaplin) - with Gene Kelly and Chorus; recorded February 2, 1950
8. (Garland and Kelly Reprise); recorded February 13, 1950
10. Heavenly Music (Chaplin) - Gene Kelly and Phil Silvers; recorded March 6, 1950
12. (Arlen/Koehler) - with Male Sextette; recorded March 15, 1950
14. (Finale) - with Gene Kelly and Chorus; recorded February 2, 1950
Side Nine:
Rehearsal, Radio and Personal Appearance Recordings
1. "Feelin' Like a Million" (Freed/Brown) - Originally performed by Eleanor Powell and George Murphy in Broadway Melody of 1938, "Feelin' Like a Million" is here given the Garland touch. This is a rehearsal recording (possibly for a personal appearance or radio show), circa summer 1937; Roger Edens is the accompanist.
2. "Could You Pass in Love?" (Gordon/Revel) - from "Maxwell House Good News of 1939", NBC Radio, September 8, 1938. After scores of radio appearances while still one of The Gumm Sisters, Judy made her network debut under the M-G-M aegis in 1935. A half-season stint on "Jack Oakie's College" began in winter 1937; by 1938, she was a regular on Metro's own program, "Good News...". To kick off the new season, she joined host Robert Young, musical director Meredith Willson, and resident comic Frank Morgan in a Roger Edens musical sketch built around a tune from the Twentieth Century Fox picture, My Lucky Star. (Two weeks later, Morgan would be assigned the title role in The Wizard of Oz.)
4. "Sweet Sixteen" from "Tune-Up Time", CBS Radio, April 6, 1939. Immediately after completing her work in Oz, Judy embarked on a five-week personal appearance tour. Her star was definitely in the ascendant: police had to be called out to control the crowds when she played Broadway's Loew's State. Among her additional assignments in New York, she bantered with emcee Walter O'Keefe and sang another piece of Edens special material on "Tune-Up Time" (accompanied by Andre Kostelanetz & His Orchestra). Coincidentally, the choral director for the program was Kay Thompson who would, in 1943, begin a stint as an M-G-M vocal arranger/writer and become one of Judy's closest friends and strongest professional influences.
5. "Over the Rainbow" (Arlen/Harburg) - from a personal appearance at a Greek Resistance Benefit, February 25, 1941. Judy sings her hit from Oz, accompanied at the piano by composer Arlen; the orchestra is conducted by David Rose, whom Judy would marry in July. The emcee is Gene Buck.
7. "It's a Great Day for the Irish" (Edens) - Judy's encore at the Greek Resistance Benefit. She had introduced the number the preceding November in M-G-M's Little Nellie Kelly.
8. "Over the Rainbow" - with Tommy Dorsey and His Orchestra, recorded August 13, 1944. Drawn from the NBC Radio "Your All-Time Hit Parade", this version of "Rainbow" was also issued in "V-Disc" format: a 78rpm record produced by the Armed Forces Radio Service as moral support for service men and women during World War II.
10. "Philco Radio Hall of Fame" (Introduction) - from December 17, 1944; leading into:
11. "The Trolley Song" (Martin/Blane) - accompanied by Paul Whiteman, His Orchestra and Chorus. In acknowledgement of the just-released Meet Me in St. Louis (and her first appearance as a Life Magazine cover girl because of that film), Judy offered two songs from the movie score on the Philco program. "The Trolley Song" was already on the Hit Parade; the date of the Philco show made her next selection just as timely:
12. "Have Yourself a Merry Little Christmas" (Martin/Blane) - accompanied by Paul Whiteman and His Orchestra.
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